Re: [-empyre-] "stereocena"

["aLexandre Venera" <e.ale@ig.com.br>]

iau great jim 
I was finishing the text below when I received your post 
see if I got in advance some to answer thing;)
      
hi empyre
      
after the excellent contributions of
Regina >> David Daniels,
Nira >> explaining to DZG 
Henry Warwick >> 5 cosmic karma points == iiiiaaauuu!!!!
(thank you very much to the three)
      
I would like to cross this part of the language 
going by a literature more tri - dimensioned, as we can 
to see in " Gates of Paradise " of D.Daniels 
http://www.thegatesofparadise.com
two examples mine of aCaRamBoLa
BOLARAM
http://geocities.yahoo.com.br/eeale/carambo/bo/bolacaram.html    
LABORAM (labor / they work)
http://geocities.yahoo.com.br/eeale/carambo/la/laboram.html
and then to arrive to my other topic: STEREOCENA. 
      
but, before a thing: 
--- I am trying to be consise and simple in the text,
on one side for my difficulties with a language that I 
don't dominate and, on the other hand, I don't want to upset 
so much you with my toys
      
I avoid to write a lot because that is an exercise that 
causes me one great concentration effort in the technique. 
That reduces and it limits all the my focus for only one form. 
I am arrested to one of the goods of the speech.
I reduce the relationship in favor of the communication. 
You cannot agree, but in certain moments I preferred to paint 
instead of writing... Then mine writing could become a map maybe 
and it would win another dimension.
I feel a lot that with the works of great Daniels. And my fingers 
are still tremendous with the game inside of the " cosmic karma " 
of Warwick. Although up to now I have only gotten to link with 
the translation of P.S., also because I imagine 
that Warwick is laughing:      
      
" There plows 10 kinds of people in this world: people
who can count in binary and people who can't ".
      
_____________      
2 stereocena
      
stereo is an unit of measure cubes and scene is the place, for 
instance, where happened a crime. Stereocena then can be thought 
as one area cubes emotional. You should avoid to think in 
reproduction. In the reproduction it cubes: the holography treats 
of the image as well as the stereophonic of the sound.
The understanding cubes can be simple to the if he thinks that 
we needed of two sound boxes to reproduce a resonant space.
      
That originator idea / receiver of the communication theory 
in this context it is monophonic. You need to move the receiver 
for an area also of relationship with the work.
Then you can begin imagining that in the sterocena a sound box 
is the artist, the other sound box is the public and in the 
encounter of these two boxes the work. But for us to get a good 
sound stereo, we needed of at least three resonant sources, 
the ideal is four and best would be six sound boxes or to more...       
      
You know that need that we have to give a step to the side or
forward to admire a painting and sudden a hidden point
in a side of the picture it does seem to win more forces?
I think about that as an example for the other sound boxes. 
Or better: as examples of other emotional originators.
      
Well, I work a lot with theater and I thought more that concept for 
the actor and for the show. Therefore to continue it imagines a scene
dramatic, a tribunal: the promoter and a defense lawyer parade 
only two angles of the history and they produce a lot of art. But it 
is an art that produces some real catarze just on whom is being judged, 
all, there, they know that are part of a show that just involves the 
defendant. That whole process is made in the base of the communication 
and the times of the right. And that in fact is not also an art, it is 
a torture, an applied punishment for sadists and the worst: we would 
need of many judges to decide one esterocena. Each angle will be a 
judgement. Then we won't have a judgement but yes a great party. ;) 

A sonnet with their rules of metric, rhymes and number of verses is 
example of rudimentary programming language, and makes to be 
considered the literature one more branch of the exact sciences ;) 
Here I think doesn't give to apply the stereocena.8-) 
Only the imagination can fertilize a sonnet.  <8-0
But I don't believe that you will use a computer with all those 
resources of emotional sources to create sonnets.
Then it is best to have fun recreating synthesized sounds of violin.